NIJINSKY WITH A MOHAWK

THE EDGY COLLABORATIONS OF PUNK BALLET DANCER MICHAEL CLARK AND THE FALL

Posted by Aldi Cusmin

Although he and his dance troupe have performed choreography set to the music of Wire, Glenn Branca, David Bowie, Iggy Pop, Brian Eno, Igor Stravinsky and others, it is his work with The Fall that the work of Scottish dancer and choreographer Michael Clark will always be the most closely associated with.

The classically-trained Clark has said that hearing the manic, rubbery, jagged-edged relentlessly repetitious music of Manchester’s post-punk bard Mark E. Smith was a sort of clarion call for him as a young man to start doing his own work—if punk bands could do their thing, then that same ethos and attitude (and shock value) could go into creating a new form of modern ballet. Clark’s vision of ballet happened to incorporate Leigh Bowery wielding a chainsaw, syringes strapped to his dancers and sets festooned with fried egg trees . Clark seemed touched by the gods. His angular, asymmetrical, yet bizarrely graceful form of movement caused a sensation in the dance world. He was Nijinksy with a mohawk.

The Fall and Clark’s company appeared together on The Old Grey Whistle Test in 1984 in a provocative performance of “Lay of the Land” that saw Clark prancing around in a Bodymap leotard that exposed his ass cheeks to the nation as the group made a mighty roar behind him.

Clark and crew dance to “Spectre Vs Rector”:

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